:32:00
after 20 years ...
It was my first genre movie.
:32:04
20 years afterwards,
I understood that the director
:32:07
had been influenced
by Mondo Cane.
:32:12
I got that.
:32:14
He even actually confessed to me
that he deeply admired
:32:20
Gualtiero Jacopetti
and Prosperi,
:32:23
and that he had followed
everything that happened
:32:25
during the shooting of Mondo Cane.
:32:29
We talked about all that.
:32:32
When I saw his work,
I saw rightaway that it was
:32:36
interesting, beautiful and
well-shot.
:32:39
It was exactly the same kind of film
:32:44
as the ones I had done
20 years before.
:32:47
Then, I didn't want to do
:32:50
genre movies anymore.
:32:52
But as I saw that it was well-done
:32:55
and that he would be very pleased
if I did the music,
:33:00
I gladly accepted.
:33:04
I think I composed
:33:07
an original music,
:33:11
which pleased him a lot.
:33:16
I wanted to create something new.
:33:19
And in 1980,
:33:23
we had highly perfectioned
:33:29
technical means...
:33:33
So that the music
for Ruggero Deodato
:33:37
was completely original,
I had never done that before.
:33:42
I used
electronnical effects,
:33:46
but also
:33:51
an electronical wind intrument
:33:55
for the main theme.
:33:59
It was something original
I used for the movie.