:48:00
of the audience watching
something horrible.
:48:03
We don't realize that.
:48:06
To put it differently:
:48:10
I'm afraid of heights.
:48:13
When I had to shoot
:48:16
from helicopters,
from planes,
:48:20
my eyes were on the camera,
so I didn't realize it.
:48:25
This professional deformation,
for me,
:48:29
prevented me to perceive clearly
:48:33
and objectively what
we were doing.
:48:38
The violence on people
was fictitious.
:48:42
It was proven afterwards.
:48:45
But unfortunately, not on animals.
:48:50
Scenes were planned this way.
:48:52
When one sees what happens
nowadays,
:48:56
during wars,
it's much worse.
:49:03
As soon as one tries
to do something new,
:49:07
something that is out of
mainstream cinema,
:49:12
out of these pitiful movies,
:49:16
one gets rejected.
:49:18
For a lot of reasons.
:49:20
Maybe because Ruggero is nice,
:49:23
because people like him,
or maybe for something else...
:49:27
Art then becomes totally different.
:49:32
It was expectable that
a young director
:49:37
who tries to make a name
can get attacked and
:49:41
that censorship breaks out
:49:46
and cuts a lot of things...
What we see nowadays
:49:50
is much more pitiful than
it was back then.
:49:58
I learnt everything indirectly