1:46:03
Will this be Master Charge
or American Express, honey?
1:46:15
Excuse me.
1:46:17
You're an actress, aren't you?
1:46:19
I might be.
1:46:21
A Chorus Line,
right?
1:46:24
Aren't you the one that does that
hot, smoky number in the red dress?
1:46:28
I'm right, ain't I? I knew it.
1:46:31
Boy, let me tell you, you are
the best thing in that show.
1:46:36
I guess you get tired of hearing that.
Excuse me.
1:46:40
No, I don't.
1:46:43
You don't belong there.
1:46:45
If you don't mind my
saying so, you're a star.
1:46:47
You need a show all to yourself.
1:46:49
-You've got a lovely face, a great figure.
-I sing too.
1:46:54
-No.
-And play the piano.
1:46:55
That's what I mean. But it's
more than just talent...
1:46:58
...it's a certain quality.
1:47:00
You're the kind of girl that
stands out in a room.
1:47:03
This might sound a little
presumptuous of me....
1:47:07
I should probably
just call your agent.
1:47:10
-I don't really relate to agents.
-Don't blame you at all.
1:47:14
Listen, my name is François.
Francois Lafete.
1:47:18
Coco.
1:47:19
Coco? Coco? That's terrific!
1:47:22
Listen, Coco, I'm doing this picture
down in the south of France, you know?
1:47:27
I was wondering if...
1:47:30
...maybe you'd like to do
a screen test for me.
1:47:36
Are you serious?
1:47:44
Bunsky.
1:47:46
Hey, Bunsky.
1:47:48
You seen Sherwood?
1:47:50
She's with her husband.
1:47:52
-I didn't know she had a husband.
-He's sick, Leroy.
1:47:55
He'd have to be to be her husband.
1:47:57
He's quite bad.
In the hospital, anyway.