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1:52:00
We're gonna do a lovely close-up
of that beautiful face.

1:52:06
I get nervous at first with cold readings,
but then I'm all right.

1:52:09
Don't worry about that.
We'll get to the dialogue later.

1:52:13
-So, you like art movies, huh, Coco?
-Antonioni and those people? Sure.

1:52:18
It beats watching
Laverne & Shirley.

1:52:20
Coco, you don't know
what you're doing to my lens.

1:52:26
You have a natural rapport
with the camera.

1:52:28
It's unbelievable. Some performers
can make love to the camera.

1:52:31
Garbo did.
1:52:33
Monroe did.
1:52:36
So could you.
1:52:37
-Yeah?
-Oh, yeah.

1:52:40
Could you take your top off, please?
1:52:45
-What?
-Could you take your blouse off?

1:52:50
-Are you kidding?
-No, I'm not kidding.

1:52:53
What's the matter?
You're acting like some dumb kid.

1:52:56
-I thought you were a professional.
-I am.

1:52:59
Well, then what's the problem?
1:53:13
I can't.
1:53:24
That's better.
1:53:27
That's lovely.
1:53:30
Oh, yeah.
1:53:33
Yeah. Could you arch your back?
Arch your back a little, Coco.

1:53:41
Smile for me, Coco.
1:53:43
Come on, Coco. Smile, smile.
Smile for me.

1:53:49
Now take your thumb...
1:53:51
...and put it in your mouth...
1:53:53
...like a little schoolgirl.
1:53:58
You ever notice that
black news reporters...


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