:51:07
- Sorry I'm late.
- It's all right, Charles.
:51:12
- Let's get started.
- What'll I need, Joe?
:51:15
Just your writing things.
:51:16
Where's Tom Horn?
:51:18
He's over to the Interocean Hotel.
:51:21
What kind of condition is he in?
:51:25
He'll be just about where we want him
by the time we get set up.
:51:29
Come on over here.
:51:30
We got a mattress laid out here
for you behind the door.
:51:32
- Can you write okay lying down?
- Can you rig me a little light?
:51:35
Absolutely.
:51:37
Got the bottom of the door planed off
so you can hear real good.
:51:42
But you got to be real quiet.
:51:44
Joe, what if Tom Horn sees me in there?
:51:48
- You mean, will he kill you?
- Yes.
:51:51
I'm not going to let that happen, Charles.
:51:54
A man like that you don't want
to get mad at you.
:51:56
I'm going to be sitting
right over there at my desk.
:51:59
I've got this Colt patent.44 in my vest...
:52:01
and a German automatic
over there in the drawer...
:52:04
one of the new ones. What I need is...
:52:06
for Tom Horn to talk himself
into a terrible tangle...
:52:09
and for you to get it down on paper.
:52:11
It's no good for us
just to write it down later.
:52:14
You mean it has to be in his own words?
:52:16
Just like I said, Charles.
:52:31
Hello, Tom.
:52:34
Hello, Joe.
:52:35
I got a letter yesterday
from a fellow up in Montana.
:52:39
What'd he want?
:52:41
I'm not so sure
this is the spot to be talking.
:52:44
Got a bottle of mescal in my office,
and it's quiet.
:52:48
Sure.