1:15:00
	l don't run this department.
People are watching this.
1:15:03
	They hear you're banging the widow.
lt tends to call attention to you.
1:15:07
	So don't give me that shit.
1:15:09
	That is my business.
1:15:11
	You mean that's your fucking business.
1:15:14
	This whole damn case is getting crazy.
1:15:17
	You tell him about the glasses?
1:15:20
	Walker always wore steel-rimmed glasses.
A real fanatic about them.
1:15:25
	They weren't on the scene.
Coroner says. . .
1:15:27
	. . .that after a fire, the frames
would've been seared right into his. . . .
1:15:32
	You don't want details.
1:15:34
	So what?
1:15:36
	Looks like he was killed elsewhere. . .
1:15:38
	. . .and brought there in his own car.
1:15:41
	Your honey, his wife, said
he left the house in the night. . .
1:15:44
	. . .and drove to some mysterious
meeting. That vague enough for you?
1:15:48
	Look, what is this?
What do you want?
1:15:51
	Am l supposed to be an
undercover agent for you or something?
1:15:54
	lnteresting choice of phrase.
1:15:56
	Suppose tonight l ask her?
1:15:58
	''Say, did you kill your husband?
My friends were just wondering. ''
1:16:02
	That's a great idea.
1:16:03
	Also ask where the glasses are,
where she did it. . . .
1:16:06
	Am l forgetting anything, Oscar?
1:16:09
	OSCAR:
That one thing.
1:16:10
	LOWENSTElN: You're going to
love this latest development.
1:16:13
	This is from the sister-in-law,
the Kraft woman.
1:16:16
	She's driving me batty. She's convinced
she won't be cut in on the will.
1:16:20
	A few weeks before the murder. . .
1:16:22
	. . .Walker's niece spent a while
with your friend Matty.
1:16:25
	One night when she wakes up,
goes to see her aunt. . .
1:16:29
	. . .and catches her with some guy.
1:16:31
	LOWENSTElN: You get it?
ln the act or some fucking thing.
1:16:35
	We don't have the details yet,
but Mrs. Kraft. . .
1:16:38
	. . .is bringing the little girl
to tell her story.
1:16:40
	They're here. l passed them
on the way in. They're outside.
1:16:44
	OSCAR:
Christ!
1:16:46
	l'm not sure l'm up to
dealing with this scene.
1:16:51
	Listen. . .
1:16:54
	. . .you probably don't want
to see the Kraft woman right now.
1:16:58
	She's pretty wild.
Why don't you slip out the back way?