Body Heat
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1:15:00
l don't run this department.
People are watching this.

1:15:03
They hear you're banging the widow.
lt tends to call attention to you.

1:15:07
So don't give me that shit.
1:15:09
That is my business.
1:15:11
You mean that's your fucking business.
1:15:14
This whole damn case is getting crazy.
1:15:17
You tell him about the glasses?
1:15:20
Walker always wore steel-rimmed glasses.
A real fanatic about them.

1:15:25
They weren't on the scene.
Coroner says. . .

1:15:27
. . .that after a fire, the frames
would've been seared right into his. . . .

1:15:32
You don't want details.
1:15:34
So what?
1:15:36
Looks like he was killed elsewhere. . .
1:15:38
. . .and brought there in his own car.
1:15:41
Your honey, his wife, said
he left the house in the night. . .

1:15:44
. . .and drove to some mysterious
meeting. That vague enough for you?

1:15:48
Look, what is this?
What do you want?

1:15:51
Am l supposed to be an
undercover agent for you or something?

1:15:54
lnteresting choice of phrase.
1:15:56
Suppose tonight l ask her?
1:15:58
''Say, did you kill your husband?
My friends were just wondering. ''

1:16:02
That's a great idea.
1:16:03
Also ask where the glasses are,
where she did it. . . .

1:16:06
Am l forgetting anything, Oscar?
1:16:09
OSCAR:
That one thing.

1:16:10
LOWENSTElN: You're going to
love this latest development.

1:16:13
This is from the sister-in-law,
the Kraft woman.

1:16:16
She's driving me batty. She's convinced
she won't be cut in on the will.

1:16:20
A few weeks before the murder. . .
1:16:22
. . .Walker's niece spent a while
with your friend Matty.

1:16:25
One night when she wakes up,
goes to see her aunt. . .

1:16:29
. . .and catches her with some guy.
1:16:31
LOWENSTElN: You get it?
ln the act or some fucking thing.

1:16:35
We don't have the details yet,
but Mrs. Kraft. . .

1:16:38
. . .is bringing the little girl
to tell her story.

1:16:40
They're here. l passed them
on the way in. They're outside.

1:16:44
OSCAR:
Christ!

1:16:46
l'm not sure l'm up to
dealing with this scene.

1:16:51
Listen. . .
1:16:54
. . .you probably don't want
to see the Kraft woman right now.

1:16:58
She's pretty wild.
Why don't you slip out the back way?


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