:37:03
Well, some of them come from the area
where we are actually shooting.
:37:06
Machiguengas from this territory.
:37:09
But there are also Campas around.
:37:12
But, um, the...
:37:15
big amount of Campas
came from a place - Oventeni.
:37:18
Rio Tambo, Rio Ene.
:37:21
From this area. Some of them
were flown here to the river...
:37:25
and came all the way
up on the river in boats.
:37:29
Some of them were flown in directly...
:37:31
and some of them-
the people from Oventeni-
:37:34
whom I like best,
I must say-
:37:36
they came on foot four days
over the mountains, to the river...
:37:41
and then they were picked up
and driven to the camp.
:38:25
- There's no action. No action.
- Well, we're gonna have an interview with you.
:38:29
I am sitting here.
I am sitting here... very satisfied.
:38:33
We are waiting at the moment-
waiting for some Indians more...
:38:36
and waiting for some canoes more...
:38:38
and when we have some canoes more,
we are waiting for some Indians more more.
:38:43
That's our problem in the moment.
And in one hour it's too late.
:38:46
In one hour, it's absolutely too late.
:38:49
It takes several days to film the scene...
:38:51
especially since Herzog insists on shooting
during what's known as the "magic hour"...
:38:55
at the end of the day as the sun sets
and the light turns warm and golden.
:38:59
Timing is crucial, and Herzog spends
most of the two days waiting for the light.