1:00:05
swing in the last ten years,
which I think is ending again now,
1:00:12
which made films like this look
1:00:17
racier than they seemed at the time.
1:00:28
The little boom point of view coming up.
1:00:33
I don't know really
1:00:36
what these shots...
how effective they are.
1:00:41
I know they take a lot of time to do
1:00:43
and they seemed
very important at the time.
1:00:48
Now, this is magic hour on the bayou.
1:00:54
And we were gonna shoot this
upcoming scene on the bayou
1:01:00
but once we got there
and saw the density of the bug life,
1:01:07
we realised that it would not be possible
for Nastassia to be naked out there.
1:01:15
So when she exits this shot
1:01:20
she will exit Louisiana
1:01:24
because there's no way
we could have shot it.
1:01:27
In fact, I'm surprised
we even got this much done
1:01:30
because everyone around her was
covered head to toe for the mosquitoes.
1:01:37
So where we are now
is in the botanical garden
1:01:42
in Los Angeles.
1:01:47
At that time, I wanted to do
a kind of a cat vision,
1:01:52
whereby she saw the animals
differently than how they were.
1:01:58
Today you'd do it all digital.