1:07:00
which the film is replete in.
1:07:08
Here is a scene which is going to
play with our two colours,
1:07:16
where you have a salmon
and a lime light that are interacting.
1:07:27
This was one of the scenes that
we came back to New Orleans to shoot.
1:07:35
I'm not quite sure why.
1:07:38
I guess we must have
cut out some things
1:07:41
and felt that we needed this scene
to replace what we'd cut out.
1:07:47
Yep, this is it right here - this exposition.
1:07:51
When we were putting the film together
1:07:53
we felt it needed this kind of a speech
so we went back and shot it.
1:08:23
I like this notion of laying the action
way on the edge of the frame.
1:08:29
Unfortunately, the way most movies
end up on video and television,
1:08:38
they make readjustments
and they pan and scan.