1:32:05
Again, a Scarfiotti-composed,
Bailey-composed shot.
1:32:12
This is why this room
was designed in the way it was,
1:32:19
so that you could do
these very nice trailing shots
1:32:23
through these wood railings.
1:32:35
Again, so much of this for me...
1:32:40
the love of the textures -
1:32:43
the painted brick, the wood,
the plaster, the human skin -
1:32:47
all laid upon each other.
1:32:52
For me, this film's great pleasures
are all in the visual aesthetics.
1:33:07
So there's a kind of
Mission style chapel affectation here
1:33:16
between these railings
and these church-like windows
1:33:22
and, you know, building up to
1:33:26
the moment of erotic transformation.
1:33:47
The Burman brothers,
who did this transformation,
1:33:50
they had been doing
transformations like this
1:33:55
that had been in a number of films.
1:33:58
In this predigital time
where we were doing this,