1:41:01
and you only use them
when you actually look at them.
1:41:26
At this point,
1:41:29
the great departure
from the original script,
1:41:34
the original idea, all starts.
1:41:38
Because what convention would dictate
1:41:43
is that he would go to kill the monster.
1:41:48
But, in fact, he's not
going to do that at all.
1:41:54
This shot here is from
American Friend by Wim Wenders,
1:41:58
where you're up on top, you drop down
1:42:00
just as the character turns his head.
1:42:44
This we still shot in Slidell
1:42:48
but once he gets inside,
1:42:51
because of the nature of
the shot I wanted,
1:42:55
we did that on location.
1:42:57
I wanted to do