:53:01
Good Golly Miss Molly.
:53:03
Now, ask me what's on the flip side.
:53:06
Why?
:53:08
Just ask me what's on the flip side. Okay?
:53:10
What is on the flip side?
:53:12
Hey, Hey, Hey, Hey. 1958.
Specialty Records.
:53:19
See, you don't ask me things like that.
You never ask me what's on the flip side.
:53:24
No. Because l don't give a shit.
:53:27
Who cares about what's on the flip side
of a record?
:53:30
l do.
:53:32
Every one of my records means something.
:53:35
The label. The producer.
The year it was made.
:53:38
Who was copying whose styles.
Who was expanding on that.
:53:42
Don't you understand?
:53:44
When l listen to my records...
:53:46
...they take me back to certain points
in my life. Okay?
:53:48
Just don't touch my records. Ever.
:53:53
The first time that l met you...
:53:55
...Modell's sister's high-school
graduation party. Right? 1955.
:53:59
And Ain't That A Shame was playing
when l walked in the door.
:54:42
-Hi, Boogie.
-How're you doin'?
:54:44
-ls Shrevie here?
-No.
:54:47
He's not here? l called him
a little while ago, and he said he'd be in.
:54:52
-What's the matter?
-Nothing.
:54:54
-Did l come at a bad time?
-No, it's all right.
:54:57
What's the matter? Maybe l should go.
l'll come back later.