1:15:00
She's staying in town.
1:15:02
She is?
1:15:08
She's Mary's mother.
1:15:11
That's why Mary went in
to town. To see her.
1:15:20
Do you realize
what this means, Norman?
1:15:23
What?
1:15:24
They're the ones
who've been leaving the notes
1:15:27
and making
the phone calls.
1:15:30
Why would they do that?
1:15:31
Because they hate you.
1:15:34
Mary, Mary doesn't hate me.
1:15:36
Come on, Norman.
1:15:38
Like mother
like daughter.
1:15:39
You know how Lila Loomis
feels about you.
1:15:41
She can't wait see you
re-institutionalized.
1:15:45
That's why all this
is happening to you.
1:15:48
They want to destabilize you,
1:15:49
undermine your sense
of reality.
1:15:52
They can't do that.
1:15:54
Good. Glad to hear you
say that.
1:15:57
But...
1:15:59
It isn't them, anyway.
1:16:01
It isn't?
Who is it?
1:16:08
It's my mother.
1:16:10
She's not dead.
1:16:17
How do you know that?
1:16:21
I've seen her,
up in the window.
1:16:24
You saw her, too.
1:16:26
That was Mary Loomis
1:16:28
or Lila Loomis dressed up
to look like your mother.
1:16:32
What about the phone calls?
1:16:34
Mary Loomis again.
1:16:37
But she's been with me
when the phone rang.
1:16:40
Then it was her mother.
1:16:53
My mother spoke to me.
Downstairs.