1:34:02
You're right.
1:34:03
So what's the point
of going?
1:34:05
Because it's my fault.
1:34:08
If my mother and I
had left you alone,
1:34:10
you would've been fine.
1:34:12
Nobody'd be dead,
1:34:13
and I'd just be
a dumb psych student
1:34:14
with nothing on mind
but having a good time.
1:34:16
It's not your fault.
1:34:18
Then whose fault is it?
1:34:20
My mother's.
1:34:21
She's the one
who's been doing the killing
1:34:23
to protect me.
She told me so herself.
1:34:25
Oh, Norman.
1:34:28
You're mad,
don't you know that?
1:34:29
You're mad as a hatter.
1:34:33
Should I answer it?
1:34:35
Why bother?
1:34:37
It's only my mother,
poor thing.
1:34:39
She shouldn't be calling.
1:34:41
She should be sitting back
and gloating.
1:34:43
I better answer it.
1:34:54
Hello?
1:34:55
Norman, this is Dr. Raymond.
1:34:57
I just found Lila Loomis' car
parked down the road.
1:35:00
I'm calling you
from the motel parlor.
1:35:01
The calls that
you've been receiving
1:35:03
from your fictitious mother
1:35:05
have been placed
right here.
1:35:06
Lila Loomis has used
this phone to call your house.
1:35:09
Yes.
1:35:12
L... I understand.
1:35:14
Mother?
1:35:15
Norman,
this is Dr. Raymond.
1:35:19
I've been waiting
for your call, Mother.
1:35:25
Hello. Lila?
1:35:27
Lila...
1:35:31
She's hung up.
1:35:41
No, Mother.
Mary's still here with me.
1:35:43
I like her.
1:35:47
No.
1:35:48
No, of course not.
Not as much as you.
1:35:55
No, I...
1:35:57
I won't do that.