Sans soleil
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:45:04
One day he writes to me: description of a dream.
:45:07
More and more my dreams find their settings
in the department stores of Tokyo,

:45:11
the subterranean tunnels that extend them and run parallel to the city.
:45:15
A face appears, disappears... a trace is found, is lost.
:45:19
All the folklore of dreams is so much in its place that the next day when I am awake
:45:23
I realize that I continue to seek in the basement labyrinth
the presence concealed the night before.

:45:29
I begin to wonder if those dreams are really mine,
or if they are part of a totality,

:45:34
of a gigantic collective dream of which the entire city may be the projection.
:45:38
It might suffice to pick up any one of the telephones
that are lying around to hear a familiar voice, or the beating of a heart,

:45:47
Sei Shonagon's for example.
:45:52
All the galleries lead to stations;
:45:53
the same companies own the stores
and the railroads that bear their name.

:45:56
Keio, Odakyu—all those names of ports.
:45:59
The train inhabited by sleeping people puts together all the fragments of dreams,
:46:03
makes a single film of them—the ultimate film.
:46:06
The tickets from the automatic dispenser
grant admission to the show.


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