Ghost Busters
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:01:00
While the New York Library exterior
and vast reading room...

:01:03
created a perfect Gothic atmosphere,
the book stacks flunked their audition.

:01:06
For "aesthetic and economic reasons,"
the producers shot these scenes...

:01:09
at the main branch
of the public library in Los Angeles.

:01:11
The final shooting script
called for more than a dozen books...

:01:14
to suddenly fly off the shelf
and land at the feet of the librarian.

:01:17
But at the last minute,
Dan Aykroyd suggested...

:01:20
this more subtle and eerie approach...
the first of 200 optical effects...

:01:23
by visual effects creator
Richard Edlund and his team.

:01:37
This next bit of ghostly mischief...
:01:40
falls in the category of a physical
effect rather than an optical effect.

:01:43
Special effects supervisor Chuck Gaspar
built a bank of card cabinets...

:01:46
rigged with air hoses
to spew the cards out on cue.

:02:01
The librarian had speaking lines
in the script, but during production...

:02:04
her lines were dropped and replaced
with screams and whimpers.

:02:07
The original script called for a "stout,
studious-Iooking girl in her late 20's."

:02:10
But Alice Drummond as a terrified,
fleeing middle-aged librarian...

:02:12
was a perfect casting decision.
:02:23
The Ghostbusters logo was refined
by artists, but Dan Aykroyd created...

:02:26
the idea for the logo when he dreamed
up the original concept of the film.

:02:29
In a departure
from motion picture tradition...

:02:31
the production credits were
withheld until the end of the film.

:02:38
In the original script, this graffiti
contained an obscene sexual reference...

:02:41
to Bill Murray's character, Venkman,
but director Ivan Reitman thought...

:02:44
that "Ghostbusters" would benefit...
creatively and economically...

:02:47
from not being particularly raunchy.
:02:50
"It has an edge to it," said Reitman,
"but it's the kind of film...

:02:53
parents are comfortable taking
their five- and six-year-olds to see."

:02:57
Harold Ramis, Dan Aykroyd's co-writer,
came up with the idea...


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