:39:03
She's very honest. She's brutally frank.
:39:05
How does that go over
with the other band members?
:39:08
She gives me the brutally frank version,
and I sort of tart it up for them.
:39:13
It's so strange because Nigel
:39:16
and Jeanine are so similar
in so many ways, but they just can't...
:39:22
They don't dislike each other.
:39:23
- There's great love between them.
- Oh, yes.
:39:26
But there's some sort of communication
that's just blocked or something.
:39:45
- It's pretty.
- Yeah, I like it.
:39:48
Been foolin' about with it
for a few months now.
:39:51
Very delicate.
:39:53
It's a bit of a departure from
the kind of thing you normally play.
:39:58
Yeah, well, it's part of a trilogy, really.
:40:00
A musical trilogy that I'm doing
:40:03
in D... minor, which I always find
is really the saddest of all keys, really.
:40:09
I don't know why but it makes people
weep instantly if you play it.
:40:15
- It's a horn part.
- It's very pretty.
:40:20
You know, just simple lines, intertwining.
:40:23
Very much like...
I'm really influenced by Mozart and Bach.
:40:27
And it's sort of in between those,
like a Mach piece.
:40:30
What do you call this?
:40:32
This piece is called Lick My Love Pump.
:40:41
Do you have any metal objects
in your pockets?
:40:43
- Yeah.
- Put them in the bucket.
:40:46
Coins... keys...
:40:52
Tuning fork.
:40:54
Musician.
I have to stay in tune, you know?