:20:02
What do you recommend?
:20:04
Between you and me,
number two.
:20:07
Thank you, Spiro.
:20:09
Shirley, what will you have?
:20:11
Between you and me,
number one.
:20:14
Madame Lowry?
:20:16
Oh, to hell with the diet.
:20:19
I'll have a number eight.
:20:22
A most perceptive choice,
madame.
:20:24
Monsieur?
:20:25
Steak, please. Rare.
:20:27
Monsieur, quel numero?
:20:28
I don't know which number.
:20:31
That one there.
:20:32
That's fine. Mother--
:20:34
Alma, you wicked girl.
:20:36
You started your treatment.
:20:38
Number?
:20:39
You noticed.
:20:41
Say the number!
:20:42
I'll tell you about it.
:20:45
Number three.
:20:49
Mother, listen!
:20:50
Numero...
:20:52
huit!
:20:54
Braised veal in wine sauce.
:20:58
Mmm! Mmm!
:21:00
It's too exciting.
:21:02
I've left Dr.Jaffe
for Dr.Chapman.
:21:05
Numero deux...
:21:07
duck a l'orange.
:21:08
Chapman?
:21:09
Excusez-moi.
:21:11
The acid man?
:21:12
Really, Ida!
:21:14
Just because his techniques
are revolutionary.
:21:17
I don't call Dr.Jaffe
"the knife man."
:21:20
Numero un...
:21:21
crevettes a la mayonnaise.
:21:23
I'm sorry, Alma.
:21:24
It's all right.
:21:26
Steak...
:21:28
numero trois!
:21:32
Mesdames...
:21:33
monsieur...
:21:34
bon... appetit!
:21:36
- Merci.
- Merci.
:21:39
Acid, on the other hand, can be used
for such wonderful, subtle shading,
:21:43
such delicate nuances,
:21:45
like an etching.
:21:48
And it is quicker.
:21:50
If it wasn't for this complication--
it could have happened to anybody--
:21:53
I'd have had this dressing
off yesterday.
:21:55
- Mm-hmm.
- Shirley.
:21:59
Salt.