:32:03
- I guess I have to get a job.
- That's not gonna be so easy either.
:32:06
- The whole country's out of work.
- Well, then, we'll live on love.
:32:10
We'll have to make concessions,
but we'll have each other.
:32:13
- That's movie talk.
- You look so beautiful in this light.
:32:17
But you're not real.
:32:28
Was that real enough for you?
:32:31
You kiss perfectly. It's what
I dreamed kissing would be like.
:32:35
- Come away with me to Cairo.
- Cairo?
:32:38
We'll live in the desert. Oh, the blue-gold
light of sunset falling over your hair...
:32:42
I'm sorry. I'm a little tipsy...
from the cham...
:32:55
- Where's the fade-out?
- What?
:32:58
When the kissing gets hot and heavy, just
before the lovemaking, there's a fade-out.
:33:03
Oh, then what?
:33:05
Then we're making love
in some private perfect place.
:33:09
That's not how it happens here.
:33:13
- What? There's no fade-out?
- No.
:33:15
But when you kissed me,
I felt like my heart faded out.
:33:19
And I closed my eyes,
and I was in some private place.
:33:24
How fascinating.
You make love without fading out?
:33:28
Yes.
:33:30
Well, I can't wait to see this.
:33:33
Well... Listen, I...
:33:35
I'm not that kind of girl. I'm married.
:33:41
Cecilia, it's clear how miserable
you are with your husband.
:33:48
And if he hits you again, you tell me.
:33:52
I'd be forced to knock his teeth out.
:33:54
I don't think that would be
such a good idea. He's big.
:33:57
I'm sorry. It's written
into my character to do it, so I do it.