:39:03
Well, it has to be secret. He doesn't
wanna have to go back into the movie.
:39:08
- He doesn't?
- No, he loves being free.
:39:10
- He's having the time of his life.
- Oh, my God.
:39:13
Would you take me to him?
Trust me. Please.
:39:29
Monk, somebody saw your wife last night
at the Dine and Dance joint.
:39:33
She's there every night
with the Rockefellers.
:39:36
She was with this crazy-looking guy
wearing an explorer's hat and breeches.
:39:40
Breeches? You know, you're nuts.
:39:43
- She was baby-sitting.
- Right. I guess you know it all.
:39:51
All right. Who's next?
:40:00
Tom?
:40:03
Tom?
:40:06
- Cecilia. I dreamed of us in Cairo...
- Tom.
:40:09
- Tom, I brought Gil Shepherd.
- Gil Shepherd.
:40:12
- I play you in the movie.
- You do?
:40:14
- How dare you run away?
- This is disconcerting.
:40:18
I'll show you the meaning of
disconcerting. I'm trying to build a career.
:40:22
I don't want to be in the film any more.
I'm in love with Cecilia.
:40:25
- You said you weren't angry.
- You can't do this to me. It's my best role.
:40:29
- I've been critically acclaimed.
- Because of the way I do it.
:40:32
No, no. Because of the way I do it.
I'm doing it, not you.
:40:35
- It's me, not him. Isn't that obvious?
- Well, how do you explain that here I am?
:40:40
Well, because I took you
from the printed page and made you live.
:40:43
- So I'm living.
- Yes, but for the screen only. Please...
:40:46
- I want my freedom.
- I don't want another me running around.
:40:51
- Why? Are you afraid I'll embarrass you?
- Yes, frankly...
:40:54
- But you created me.
- All right, look. Be reasonable here.
:40:57
I'm starting to build a career.
Is life up on the screen so terrible?