To Live and Die in L.A.
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:48:01
Do you think you might know
where that studio was...

:48:03
...remember what it looked like?
:48:05
That was downtown
past the railroad tracks.

:48:09
There's an old warehouse...
:48:11
...and there's a Chinese character on it.
:48:42
-Come on!
-Shoot it!

:48:44
Take your shot!
:48:48
Not taking
any of that shit, man.

:49:05
-How did that last stuff go?
-Hell, man, I had it sold within a week.

:49:08
Needed more, but you changed
the phone numbers.

:49:10
-I had people begging for them 20s.
-Had to lay low for a while.

:49:14
That's what I heard.
:49:16
Heard someone popped your mule
at the airport.

:49:18
That's what I wanted to talk to you about.
:49:20
He's up in Obispo, and I think he may
try to deal his way out.

:49:24
-How much of a problem would that be?
-Ain't no big thing.

:49:28
But ain't nobody
gonna work for free.

:49:30
-What would it take?
-It'll cost you 100 K in 20s...

:49:33
...if they're as good as the last ones.
:49:35
Fifty thousand in 100s. It's all I have
on hand at the moment.

:49:39
Big bills ain't popular in this
neighborhood, brother. It's gotta be 20s.

:49:44
Well, I might be able to find...
:49:47
...50,000 or so in 20s
lying around somewhere.

:49:51
Can I ask you something?
:49:52
As long as you print that shit yourself...
:49:55
...what the hell do you care
if I make 25, 50 or 100 grand?

:49:58
It'd be nothing but motherfucking paper
to you.


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