:20:00
1952.
:20:02
Well, time passes for everyone.
:20:04
No, that one's from another act.
"Pas double", double step.
:20:08
Fred was overwhelming
while doing his gipsy-kossak pot-pourri.
:20:11
Acrobatic, languishing,
tender, wild!
:20:15
Wait, look.
I still have the poster here.
:20:19
- Here it is.
- Forgive me, but I have to...
:20:23
Sorry, he's choosing the photographs.
:20:26
We were well known for tap dancing,
:20:29
but our repertory was quite wide.
:20:32
And then, as you know,
:20:34
flamenco and tap have
a lot in common.
:20:38
Same basics. Excuse me.
Just a second, I'll show you.
:20:43
No, not here.
Not on the fitted carpet.
:20:47
Here.
:20:55
And where's your partner?
:20:58
I'm waiting for him too,
they say there are frequent arrivals.
:21:01
- Didn't you come together?
- No.
:21:04
But aren't you married?
:21:05
Excuse me. Roberto!
:21:07
No. I am married,
but not with him.
:21:10
After all these years,
this gipsy life,
:21:12
always traveling,
without a real home, a family...
:21:15
So when I met poor Enrico...
:21:18
It's a pity, if you two were married
it would have been better.
:21:21
But... I don't understand why.
:21:23
It works better. The audience always like love stories.
:21:26
- Partners in art and life.
- It's true, but it didn't happen.
:21:30
See you tomorrow morning.
:21:32
Tomorrow morning? And when are we going to do the rehearsal?
We didn't dance together for years!
:21:36
How can we do our show again without a rehearsal?
:21:39
- Which one is the admiral's room?
- 36, third floor.
:21:42
Mister director's assistant,
we have a dignity to defend.
:21:46
I want my photos back!
:21:49
Will the ladies please sit down...
:21:51
The first report is ready.
:21:53
You're from the CST, right?
:21:56
- Thank you.
- The table on the left.
:21:59
Do you want soup, pasta?