:20:00
(April) l go limp in
the last scene of La Traviata.
:20:03
Me too. l have a private box at the Met.
:20:06
l bring a bottle of wine. l open it, l sit
there, l watch and l cry. lt's disgusting.
:20:10
- What do you do?
- l'm an architect.
:20:13
- What kind of things do you build?
- Are you interested?
:20:16
Yeah.
:20:18
What time do you get off?
:20:22
- (Holly) The red one?
- (April) lt's magnificent!
:20:25
The design's deliberately
noncontextual, but l wanted
:20:28
to keep the atmosphere of the street,
and the proportions, and in the material.
:20:33
- That's unpolished red granite.
- (April) ls that what it is?
:20:37
- lt has an organic quality about it.
- Right.
:20:39
Almost entirely, wholly interdependent,
if you know what l mean.
:20:44
l can't put it into words.
The important thing is, it breathes.
:20:49
You know, people pass by vital
structures in this city all the time
:20:52
and never appreciate them. l get the
feeling you tune into your environment.
:20:57
Oh, it's really important.
:20:59
- What are your favourite buildings?
- Wanna see some?
:21:02
- Yeah.
- Well, let's do it.
:21:48
(Holly) lt's just so romantic.
l just wanna put on a long gown
:21:51
and open the French doors
and go on the balcony.
:21:54
(David) lt's romantic. And it's got a
handsome partner sitting right beside it.
:21:59
They fit right in together. And your eye
goes along, lulled into complacency,