1:14:00
Hurry up!
1:14:01
I am hurrying up, okay?
1:14:03
I don't want her alone
with that sleazy Cowboy either.
1:14:06
Yeah, why not?
1:14:08
Because I just don't, that's why.
1:14:10
God, I can't believe how hostile I feel
towards you right now.
1:14:14
Because I'm stimulating
your adrenal gland, pal.
1:14:16
Maybe that's the reason and maybe not.
1:14:18
You got something to say, just say it.
1:14:21
She deserves better. That's all.
1:14:23
- Better than what?
- Better than you.
1:14:26
I knew it!
1:14:27
You think she goes for you, don't you?
1:14:29
You know what she sees in you?
She sees me.
1:14:32
All right, Pendelton, that's it.
Where are you?
1:14:35
Where are you, you little weasel?
1:14:37
Save it for the Cowboy.
1:14:46
Wrong door!
1:14:48
That's an exit, Jack. Come on, control it.
1:14:51
You're a dangerous individual.
You can do it!
1:14:57
Big Jack!
1:14:58
Don't knock, just come!
1:15:00
Duke the son of a bitch!
1:15:04
Jack?
1:15:07
- Where were you?
- Next door waiting for you.
1:15:10
Beauty punch anyway, Big Jack.
1:15:13
Now tie that sucker tight,
he's gonna squirm when he wakes up.
1:15:17
There, now look at the Cowboy.
1:15:22
Hold it right there.
1:15:25
Emulation systems activated.
1:15:28
Contour analysis, stage one.
1:15:31
Move over, Picasso. Look at this.
1:15:33
Grid mapping ectodermal contours.
1:15:35
Go to the mirror.
1:15:38
What'll we do?
1:15:39
I'll attempt an electronic stimulation
of your nerves and muscles.
1:15:42
What's that?
1:15:43
- I'm going to alter your face.
- Alter my face?
1:15:46
How do you do that?
1:15:49
It's complicated.
I don't understand it myself. Just trust me.
1:15:53
Will it hurt?
1:15:56
Yeah.
1:15:57
Let's not do it then.