A Cry in the Dark
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:25:00
Listen to this.
:25:01
(Michael) To many
this is called Ayers Rock,

:25:04
but to us it will always be Azaria’s Rock.
:25:10
- Is that you, Mr Chamberlain? Over.
- "Speaking. Over."

:25:13
I was wondering whether you could take
a few photographs to run with this story.

:25:19
We can’t get up there to cover this,
unfortunately. There’s just no way.

:25:23
You do want people to be warned
about the dangers up there? Over.

:25:29
He wants me to take some photographs
for his newspaper.

:25:32
You don’t have to if you don’t want to.
:25:36
She’ll never have a grave.
Nothing to remember her by.

:25:47
Boys. Just stand in front of
the tent for me, will you?

:25:55
Keep going, if you would. Thank you.
:25:58
Mr Chamberlain, when you’re ready.
:26:01
We were very shocked, of course,
but at that stage we still had some hope...

:26:05
(feedback)
:26:08
Can we just do that again?
:26:10
That’s OK. I’ve done some journalism
myself. I think I know what you mean.

:26:14
"(journalist)" OK, right. Rolling. And... go.
:26:19
Well, it was shocking,
but we just held out some little hope.

:26:24
But when we saw
the spots of blood on the tent,

:26:27
we knew as we looked
that this was a very quick event.

:26:32
And this morning, when we saw
the sharp, ripped, jagged marks

:26:36
on that very thickly-woven blanket,
:26:40
that this was a powerful beast
with very sharp teeth.

:26:44
lt was more than a domestic dog
that did this.

:26:47
OK, stop it there. It gets boring after this.
:26:49
Now run this. I want to cut to her.
:26:52
- That won’t cut.
- Yes, it will if you wait till after the pan,

:26:57
and put his last line over
to disguise the question.


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