:19:00
A hand, or a handout?
:19:02
Neither one.
:19:07
Why accept an official order
for work you don't plan to do?
:19:12
We'll never stay on schedule
this way.
:19:14
My ideas don't
come from orders.
:19:18
What did she choose?
:19:19
The pyramid.
:19:21
The little one?
:19:22
Yes, the Paros marble.
:19:25
She doesn't know
how hard it is to work with.
:19:29
One wrong tap
and it breaks in half.
:19:33
She's too young.
She should take lessons.
:19:36
I saw her work, Limet...
:19:39
Two heads... an old woman
and a tramp. Merely sketches.
:19:42
You know, when the clay is more alive
than the model... like real flesh...
:19:46
That's rare.
:19:49
You're wrong about her.
:19:50
She doesn't need lessons.
Boucher is wrong, too.
:19:53
She'll learn by doing.
:20:06
"With that horrible warning..."
:20:08
"as the steel touched my neck...
:20:12
"my body shivered and
a muffled cry escaped my lips."
:20:18
"The executioner's hand trembled."
:20:21
"'Sir,' he said to me..."
:20:23
"'Have I hurt you?"'
:20:27
"These hangmen have soft hearts."
:20:32
You seem to love Victor Hugo,
Giganti.
:20:36
He's the greatest man alive.
:20:40
He's all I have...
:20:46
Now I have you, too.