:22:01
"Any day above ground's
a good day."
:22:06
Do you think that's true?
:22:15
-Who's that short kid with the earring?
-Oh, the ladykiller? That's Reuben Toro.
:22:19
He shows at Bendix.
He's not bad. Nice kid too.
:22:23
- Hey, excuse me. Can I talk to you?
- Mr Lionel Dobie.
:22:26
- You know, you, sir, are like
my Willie Mays. It's a pleasure...
- Thank you. Can I talk to you?
:22:29
- Excuse me.
- ...to meet you.
:22:38
- What?
- Shut up. Now, look now.
:22:40
I-I don't know how to say this. I mean,
I'm not your shepherd or anything.
:22:44
- But people are laughin'
at ya out there.
- Why?
:22:47
Well, you know that greasy-haired kid
you're dancing with?
:22:50
Well, he's here to score and split.
I mean, he does this
everywhere he's invited.
:22:54
He likes to find some innocent kid,
and then he preys upon them.
:22:56
I mean-- I mean, hey, you're
a free agent. It's your life.
:23:00
But I'm tellin' ya, if that
low-rent hound does anything
to hurt you or humiliate you, I'll--
:23:04
I thought you were gonna tell me
that they were laughing at me
because of my work.
:23:10
Well, this is kinda worse,
don't you think?
:23:15
No. No, no, no, no.
Let me go out first.
You stay in here a minute.
:23:18
Because if people see us go out
together, then their minds
make these leaps, you know.
:23:22
- So stay here.
- Creep!
- Lionel, there you are.
:23:24
Lionel, I want you to meet Kurt Bloom.
He just bought the Rommel Gallery
in Berlin.
:23:28
Lionel Dobie.
Lionel Dobie, nice to see you.
:23:31
- Open the door!
- It is a great pleasure for me.
- Open!
:23:33
- Is there a problem there?
- Lionel!
- No, just a couple of kids.
:23:35
- Oh.
- Uh, Rommel Gallery?
:23:37
- Yes, Rommel Gallery in Berlin.
- West Berlin?
:23:39
- West Berlin, yes.
- Yes. Nice.
- Lionel!
:23:41
- Kurt Bloom?
- Kurt Bloom, yes.
:23:43
- I hate you!
- I'm really admiring your work.
:23:47
- It's very great to see you here.
- Lionel!
:23:50
Happy birthday to you
:23:54
Happy birthday to you
:23:57
Happy birthday, dear George