:21:00
-You know Diane Court?
-Diane! Well. . . .
:21:03
-I need you to be the Keymaster.
-I was just--
:21:06
He's very responsible. Thanks a lot.
:21:10
-I was gonna move around. Thanks.
-"Keymaster"?
:21:14
I gotta judge who can drive
and who can't, and keep their keys.
:21:19
-So it's an honor.
-No.
:21:22
-We finally graduated, big-dude guy!
-All right!
:21:26
I'm so glad you came to this.
:21:28
I've always wanted you
to come to one of these.
:21:32
I wish you'd done that
without the keys!
:21:35
-Come on. There are so many cute guys.
-Let go of me!
:21:39
-I love you, man!
-I love you too.
:21:47
Homeboy! Mike Cameron. How you doing?
:21:50
-What?
-Mike Cameron. This is one fresh jam.
:21:55
I don't know you very well,
but I wanted to ask you. . .
:21:59
. . .how you got Diane Court
to go out with you.
:22:03
-I called her.
-But how come it worked?
:22:05
-I mean, like, what are you?
-I'm Lloyd Dobler.
:22:12
-Great, this gives me hope. Thanks.
-All right.
:22:17
Key?
:22:19
I wrote 63 songs
about Joe this year. . .
:22:21
. . .and I'm gonna play
every one tonight.
:22:25
I just saw Joe. He's here.
:22:29
Don't be so dramatic about it.
:22:31
You did try and kill yourself
because of the guy.
:22:35
What was it like afterwards?
I've always wanted to know.
:22:39
She explained it
in "Wake up, Seattle. "
:22:42
Stop. I am fine now. I am all right.
:22:45
All everybody does is ask me
about this. I am fine.
:22:50
Did Joe come with Mimi tonight?
:22:54
Keys.
:22:57
Keys, everybody.
:22:59
-All right, Keymaster.
-Right.