:22:02
That'll extend your range.
You know that, don't you?
:22:06
- Yeah.
- So...
:22:09
Tell me, Joe.
:22:11
Your wife, a musician too?
:22:15
- I'm not married.
- Not married?
:22:17
- No.
- Joe.
:22:21
And you love Edna Millay.
:22:25
- Yeah. I...
- Yeah. My favourite.
:22:27
- I know that.
- Yeah.
:22:30
So... I was just thinking...
:22:34
...we should get together
and talk about her, don't you think?
:22:37
- I think so.
- Yes.
:22:39
When?
:22:42
- When, Joe?
- Tomorrow.
:22:46
What time?
:22:48
You tell me.
:22:51
Three o'clock. Inside the penguin house.
:22:55
At the zoo.
:22:57
- Great. Great.
- Super.
:23:01
So, one last thing.
:23:04
I remember the first time
I heard Coltrane on soprano.
:23:10
Until then it had just been tenor,
of course, but...
:23:14
It was such a moment, Joe.
:23:16
Opened a whole new worid
of harmonics for me.
:23:20
- Really?
- Really.
:23:23
I'll leave you with that, Joe.
:23:26
I'll see you tomorrow at the zoo.
:23:32
The penguin house. That's what I said.
:23:35
- In the zoo?
- Yes.
:23:37
- You suggested this?
- Yes. I couldn't believe I said it.
:23:40
- I thought somebody else was talking.
- That's great.
:23:43
The words were just coming out.
I had no idea what I was saying.
:23:46
I had no idea what anything even meant.
I was talking about reeds.
:23:50
- Coltrane. Who's Coltrane?
- What is that?
:23:52
- That's what I wanna know.
- You probably read it.
:23:54
I was so forward, too. I can't believe it.
:23:57
Completely obnoxious.
:23:59
Yes, but he was responsive.