Metropolitan
prev.
play.
mark.
next.

1:12:01
- Thanks for coming. Will you write?
- Yes.

1:12:06
- Good-bye. Thanks for coming.
- Good-bye, sir.

1:12:10
- Good-bye, Tom.
- Good luck.

1:12:12
I leave, counting on you and Charlie to maintain
the standards and ideals of the U.H.B.

1:12:17
I've obviously failed to.
1:12:19
You and Charlie are the only ones
who understand this kind of thing.

1:12:21
- What?
- Here.

1:12:23
Thank you.
1:12:26
- Oh. Also, you remember, in case I die -
- Yes.

1:12:28
- All right. Good-bye.
- Bye.

1:12:31
- Bye.
- Good-bye.

1:13:00
Is the 21 Club very expensive?
1:13:04
( Mother )
I believe so.

1:13:08
That's priceless.
1:13:09
And then she told Miss Radford,
''They look awfully big for mice.''

1:13:13
- She believed it?
- Oh, completely.

1:13:15
Oh, that's priceless.
1:13:17
You mentioned something about it
in one of your letters.

1:13:20
When I was going through
some stuff over Christmas,
I found a packet of your old letters.

1:13:23
- You saved my letters?
- Of course.

1:13:26
I save all the personal letters I get.
Don't you?

1:13:30
No.
1:13:33
You mean, you threw away
all the letters I wrote you?

1:13:35
I throw away nearly everything.
1:13:37
I don't want to go through the rest of my life
with the mail I got when I was 1 6.

1:13:41
I'm surprised.
1:13:43
Someone goes through the trouble
of writing you a real letter, I save it.

1:13:47
People don't write
many personal letters anymore.

1:13:49
People in boarding school do.
1:13:53
And what if someone who wrote you
becomes famous?

1:13:56
Those letters could be the only record
of what they were thinking at that time.
Crucial for their biographers.


prev.
next.