:41:03
You're right.
:41:04
lt's sad, though, isn't it? She was
so good in A Night Full of Shoes.
:41:09
l hope it's not
too much trouble for you.
:41:12
l'm almost sorry
we didn't get Valerie Rogers.
:41:15
Valerie has a terrific body.
:41:20
Oh, well. See you.
:41:32
George Lazan, executive producer
of Kitchen Sink...
:41:35
...and now, L.A. Beat.
How are you?
:41:37
Fine.
:41:40
-Suzanne.
-Vale. l know.
:41:43
Have l caught you at a bad time?
:41:46
l saw the rushes.
And frankly, you're holding back.
:41:51
-What seems to be the problem?
-The problem--
:41:56
The problem is that hundreds
of people have talked with me...
:42:01
...about my low enjoyment levels
and my....
:42:05
lt bothered me. l'd prefer
to receive direction solely from you.
:42:10
Really? Hundreds?
l'll have a word with them.
:42:13
l mean, we're talking
about one day of work.
:42:16
A day in which l was tied
to a cactus and assaulted by snakes.
:42:20
As if l were a child!
:42:22
They could call my mother to come in
and stand by and make sure l'm relaxed!
:42:26
That's her! That's the character!
:42:29
That's the quality l've been
looking for! Now, what you're doing.
:42:32
But Simon, this is not relaxed!
:42:34
This is incredibly upset!
:42:38
-lf this is the quality--
-People, this'll be picture!
:42:41
Just be yourself and you'll be fine.
lt sounds trite, but it's true.
:42:46
Just trust me.
l'll speak with the producer.
:42:49
l promise what happened today won't
be repeated. Try to calm down, okay?
:42:54
Quiet on the set!
:42:56
-Roll sound!
-Speed.
:42:58
Roll camera.