:19:01
- I'm glad to see you boys have been working.
- No, we're not working.
:19:05
We're just warming up,
doing some mental calisthenics.
:19:08
Well, if you take my advice,
you'll start with the ending.
:19:11
Oh, yeah?
:19:13
Now, look, Paul. Don't you go
interfering with the script.
:19:16
And don't try to influence my writer, either.
:19:19
You're an obscene man.
:19:21
You witnessed the cultural disintegration
of central Europe...
:19:24
...and you nevertheless persist on following
the same cheap, disastrous course...
:19:28
...that led to Hitler over Europe...
:19:30
...World War II and the atomic bomb.
:19:35
Meaning the ending stays as it is.
:19:38
Except for one minor change.
The Germans kill you too. Over the end title.
:19:47
Do you have a coat
or something I could borrow?
:19:49
- Oh, Irene.
- Excuse me.
:19:50
I can't go out dressed like this.
:19:52
Irene, I'd like you to meet my partner.
Paul Landers, our producer.
:19:56
Irene has the most wonderful idea
for a film, Paul.
:19:59
Why don't you tell it to Paul
while Pete and I work?
:20:02
Start from the beginning, darling.
:20:04
It's about a dog. A puppy dog.
He's the hero, the star.
:20:08
The dog's name is Horace.
:20:09
Pete, I should've sent you back
to Switzerland!
:20:12
I love Paul. He's such a desperate man.