1:16:15
- How do you do? It's nice to meet you.
- Welcome. My wife.
1:16:17
- Hello. How do you do?
- Good morning, welcome.
1:16:20
- Nice to meet you. Nice to meet you.
- How do you do?
1:16:22
- Well, hello.
- Welcome. Welcome.
1:16:25
Miss Gibson. Right here.
1:16:33
Pete!
1:16:35
Pete! Where's John? Why isn't he here?
1:16:38
I'm going back to London
on the next flight, Paul.
1:16:41
What happened? Where's John?
Where's the script?
1:16:44
- I sent you the script. Didn't you get it?
- I got half of it.
1:16:48
- There's only one copy?
- No. John has the original.
1:16:51
If he hasn't lost it,
which he probably has.
1:16:54
- How are you, Pete?
- Hi.
1:16:55
- Where's the ogre?
- He's out scouting locations.
1:17:00
I hope you boys have
improved the script.
1:17:02
What Kay means is,
is her part gonna get bigger?
1:17:05
Not at all. I don't mind if you do
the talking and I don't say a word.
1:17:09
As long as I get to play
a real human being.
1:17:12
Beautiful, Kay. Come with me.
Come this way. To the side.
1:17:15
Mr. Duncan! Can we have one of you
with your new bride?
1:17:18
How do you want it, boys?
Passionate or domestic?
1:17:22
Can we have a kiss?
1:17:25
Thank you very much.
1:17:44
Peter, think. Think what will happen
to the morale of the company if you go back.
1:17:50
They'll think something terrible is wrong.
I can't start a picture that way.
1:17:55
Paul, don't you understand? Something
terrible is wrong! The man has the fever.