1:28:11
"Boardinghouse,
1:28:13
painted women,
1:28:14
and the burlyman..."
1:28:16
"Why'd you arrest him?"
1:28:18
"With one lightning move
with his mighty arms,
1:28:22
the burlyman..."
1:28:23
"She's a good woman..."
1:28:24
"I don't care what people say..."
1:28:29
"So, Burlyman,
we have to deduct those expenses
1:28:32
from your personal..."
1:28:34
"Don't you care for me
after all these years?"
1:28:39
Hold the line, sir.
I have your call.
1:28:41
Hello, operator!
I can't...
1:28:44
Oh, God.
1:28:49
Ahem. Hello?
1:28:50
Garland, it's me.
1:28:51
Barton?
1:28:53
Wh-What time is it?
1:28:54
Are you all right?
1:28:56
Yeah, I'm... I'm fine.
1:28:57
I have to talk to you, Garland.
1:29:00
I'm calling long-distance.
1:29:01
What is it, Barton?
Are you okay?
1:29:04
Yeah, I'm fine, Garland,
1:29:05
but we have to talk.
1:29:06
It's about what I'm writing.
1:29:08
I think...
1:29:10
it's really...
1:29:13
I think it's really big.
1:29:15
What do you mean, Barton?
1:29:16
Not big in the sense of large,
1:29:19
although it's that, too.
1:29:20
I... I mean important.
1:29:22
This may be
the most important work
1:29:25
I've ever done.
1:29:26
Barton, is everything okay?
1:29:29
You sound a little, um...
1:29:31
Sound a little what?
1:29:33
You sound a little, um...
1:29:36
Thanks, Garland.
1:29:37
Thanks for all the encouragement.
1:29:42
Nitwit.
1:29:49
[Typewriter Clacking]