1:32:00
painted women,
1:32:01
and the burlyman..."
1:32:03
"Why'd you arrest him?"
1:32:05
"With one lightning move
with his mighty arms,
1:32:09
the burlyman..."
1:32:10
"She's a good woman..."
1:32:11
"I don't care what people say..."
1:32:16
"So, Burlyman,
we have to deduct those expenses
1:32:20
from your personal..."
1:32:22
"Don't you care for me
after all these years?"
1:32:26
Hold the line, sir.
I have your call.
1:32:29
Hello, operator!
I can't--
1:32:32
Oh, God.
1:32:37
Ahem. Hello?
1:32:38
Garland, it's me.
1:32:39
Barton?
1:32:41
Wh-What time is it?
1:32:43
Are you all right?
1:32:44
Yeah, I'm--I'm fine.
1:32:46
I have to talk to you, Garland.
1:32:48
I'm calling long-distance.
1:32:50
What is it, Barton?
Are you okay?
1:32:52
Yeah, I'm fine, Garland,
1:32:54
but we have to talk.
1:32:55
It's about what I'm writing.
1:32:57
I think...
1:32:59
it's really...
1:33:02
I think it's really big.
1:33:04
What do you mean, Barton?
1:33:06
Not big in the sense of large,
1:33:08
although it's that, too.
1:33:10
I--I mean important.
1:33:12
This may be
the most important work
1:33:15
I've ever done.
1:33:16
Barton, is everything okay?
1:33:19
You sound a little, um...
1:33:21
Sound a little what?
1:33:23
You sound a little, um...
1:33:26
Thanks, Garland.
1:33:28
Thanks for all the encouragement.
1:33:33
Nitwit.
1:33:39
[ Typewriter Clacking ]