1:25:03
Time to split. You gotta be somewhere.
1:25:05
You can't be here. And I wanna go home. Let's go.
1:25:09
You, passed out, wake up, get out of here!
1:25:11
Come on, let's go.
1:25:13
- Hey, what's up, man? - Not much.
1:25:15
- Whose are these? - They're mine.
1:25:17
Oh, yeah? Well, where you from?
1:25:19
- London, England. - Oh.
1:25:21
Yeah, she's traveling around Texas taking pictures of Dairy Queen.
1:25:25
Dairy Queens? What the hell you wanna do that for?
1:25:28
- Dip cones. - Dip cones?
1:25:31
Nah, I'm kidding. Actually, I'm on my way to New York.
1:25:34
New York, huh? Are you exhibiting there?
1:25:37
No, I'm just gonna do some stuff.
1:25:39
"Do some stuff. " The urban landscape guerrilla graffiti art scene.
1:25:45
The Soho photographer trudging through the sludge ofTimes Square...
1:25:49
shooting from the hip and catching the glimpses of all the garbage.
1:25:52
Working the streets basically. Going to New York just to work the
1:25:54
streets...
1:25:55
like everybody else there.
1:25:57
So, what, do you fancy yourself as some sort of artist, or what?
1:26:01
No, I'm an anti-artist.
1:26:03
Oh, one of those neoposeur types that hangs out in coffee shops...
1:26:08
and doesn't do much of anything, yeah.
1:26:10
No, I feel like being an anti-artist means that...
1:26:14
I like to destroy other people's artwork.
1:26:16
Oh, well. In that case.
1:26:19
No, I'm kidding. I don't do much really.
1:26:22
I just read and work here and sleep and eat...
1:26:26
and watch movies.
1:26:29
Speaking of movies, you being from London...
1:26:32
and being a photographer and all...
1:26:34
you might wanna watch Blow Up tonight at 4:00.
1:26:36
You know Blow Up, you know.
1:26:38
- London and the '60s. - See you later. - Bye.
1:26:41
Photographing and mimes playing tennis.
1:26:44
No, I'm really into photography, not movies.
1:26:46
But movies are photography, 24 times a second.
1:26:49
Did I invite you over here to talk to me?