:31:02
And make them sleep
:31:05
And cry
:31:10
l love you.
:31:18
Hate your next-door neighbor
:31:20
But don't forget to say grace and
:31:23
Tell me over and over
:31:26
And over and over again, my friend
:31:29
You don't believe
:31:32
We're on the eve of destruction
:31:37
A hot night in Miami, March '69.
:31:40
Every space in the auditorium
is consumed.
:31:42
Unfortunately, The Doors have long
since sold out. They've become an act.
:31:45
Morrison falls off the stage
at least every other performance.
:31:49
"The Soft Parade" album only confirms
the plasticity of their approach.
:31:52
Songs like "Touch Me"
and "Tell All the People"...
:31:55
are not the Doors we once knew.
:31:57
So the question is:
why am l here?
:32:00
Are funerals entertainment?
:32:02
- He's not going to show.
- Show time is show time.
:32:05
This guy's done it to us too many times.
We should go on without him.
:32:08
Bill is with him. They're an hour away.
He'll get him here, all right?
:32:11
He fucking better
get him here, man.
:32:15
- Hey, he'll be here.
- l'll tell you one goddamn thing.
:32:17
There's gonna be a show here tonight
if l gotta throw a wig on, man...
:32:20
and sing them songs myself.
:32:22
Yeah, fuck off.
:32:24
How's it going?
:32:27
- Hey, dude.
- Yo, Jimbo.
:32:29
- Clean up your act.
- You asshole.
:32:32
l love you!
Hey, listen, Paul.
:32:35
- Can you get us some heroin?
- No.
:32:37
Why not? Some heroin.
:32:40
l am not gonna participate
in anything...
:32:42
that's gonna help you
accomplish your goal, Jim.
:32:44
What's my goal, Paul?
:32:47
Your only friend, the end
:32:51
Wrong. l just want to
sing the blues, man.
:32:55
Get fat, do nothin', go nowhere.
Just be.
:32:59
With that waistline,
you ain't got much choice.