:40:00
- Do something?
- No, we'll struggle through.
:40:04
Tim sleeps while we run around
with our trousers round our ankles.
:40:10
OK, Freddy, from your entrance
with trousers round ankles.
:40:14
"So, where's my other sheet?"
Some other problem, Freddy?
:40:19
- Since we're stopped...
- Why did I ask?
:40:21
I'm stupid about plot.
Could I ask another dumb question?
:40:25
All of my studies in world drama
lie at your disposal.
:40:29
Why is the sheikh Philip's double?
:40:32
He comes in and we think he's,
you know...
:40:35
- That's the joke.
- I see that.
:40:38
- The plot depends on it.
- But it is a coincidence, isn't it?
:40:43
It is kind of a coincidence, Freddy, yes.
:40:46
Until you reflect that there was
an earlier draft of the play.
:40:51
In this, it's clear that Philip's
father, as a young man,
:40:56
travelled in the Middle East.
:40:58
- I see.
- You see?
:41:01
- Interesting.
- Yes.
:41:03
- Will the audience get it?
- You show them.
:41:07
- That's what acting's about.
- Thank you, Lloyd.
:41:11
So, from your entrance, Freddy.
:41:13
What's going to be left of this show
when I'm back in New York
:41:18
and you're up there on your own?
:41:20
So, where's my other sheet?
:41:24
Ah! A house of heavenly peace!
I rent it!
:41:29
- You!
- Is it?
:41:30
- Who else?
- You ask to view this house
:41:34
when you're a trouserless tramp!
:41:37
- You took the clean sheets!
- You snatched my nightdress.
:41:40
You tossed me aside
like a broken china doll.
:41:44
I won't ask what you were up to with
my girl, but I'll tell you one thing.
:41:50
- Brooke!
- Sorry.
:41:52
Your line! We're two lines
from the end of the act.
:41:55
- I don't understand.
- Tell her.
:41:58
- "What's that, Dad?"
- But I don't understand.