1:43:00
Looked like the
bada-bing-bada-boom girl.
1:43:03
If she's working sound,
who 's listening?
1:43:05
30 to lighting change.
1:43:14
-20 seconds.
-Cue him the 20 seconds.
1:43:18
Hi, Frank.
How are you?
1:43:20
What are you doing here?
1:43:22
-On the job.
-Who?
1:43:26
Him.
1:43:27
Short-term gig. . .
1:43:29
. . .but profitable.
1:43:34
Frank, I'm sorry about Miami.
1:43:38
Cue music.
1:43:41
Cue dancers.
1:43:50
Back to work.
See you at the Governor's Ball.
1:44:05
-Not a bad singer.
-Sounds great.
1:44:08
I want her run out of town.
1:44:10
She's got to go!
1:44:13
Tony, you there?
1:44:18
I have a feeling it's tonight.
He'll go for her on camera.
1:44:22
That's crazy!
1:44:24
That's how he wants it to look.
He's very clever.
1:44:27
I need you to help me tonight.
1:44:30
You can't use that.
There's bad breakthrough.
1:44:34
I'm going to have to disconnect you.
1:44:36
I'll do it.
1:44:39
You get it back after the show.
1:44:53
What's wrong?
1:44:54
Ready to go?
1:44:56
Shall we go?
1:44:58
Excuse me, is this necessary?
We have our own man at the door!