:31:03
What do you think of that?
:31:07
Okay, but what's it all about?
:31:10
Dona Trina, these are the temples
:31:13
of music and the theater.
:31:15
In them, art and civilization find
:31:17
their most sublime form,
:31:19
arousing emotions of generosity
:31:22
and hope.
:31:24
Victor Red.
:31:26
I like my house better.
:31:28
We all live in the same house.
:31:31
I wanted to show you how it works.
:31:35
You know what, Jacinto?
:31:37
Let me consult the souls in purgatory.
:31:47
Tell them it's urgent.
:31:50
This is our street,
:31:51
our house, next to La Pajarera.
:31:53
No one has noticed
:31:55
that these two deserted houses
:31:58
share a single watchman.
:32:00
We'll get to them on a suspension bridge.
:32:05
You have to give up your
:32:06
risky business for a while. We don't
:32:09
want the cops coming here.
:32:11
How long will this secret operation last?
:32:14
We don't know yet, Dimas.
:32:16
I'm with you.
:32:17
And you, Justo?
:32:19
Not a word to your comrades. - Hell no!
:32:22
We'll use the rig
:32:24
for the large pieces
:32:27
that might blow our cover.
:32:30
We'll deposit them here
:32:34
in the courtyard of the corner house
:32:37
which is empty.
:32:39
All the moving will have to be done in
:32:43
stages and at irregular intervals.
:32:46
Diogenes wants to set up mirrors so
:32:48
that we can keep an eye on the street.
:32:51
We knock on his door,
:32:53
he'll check the mirrors
:32:55
and signal us.
:32:58
Why?
:32:59
It's an old rebublican tactic,