:57:00
Well um--
:57:03
Obsolete.
:57:04
l know.
You left the concert platform.
:57:07
lt's been talked about
it's been explained...
:57:10
all the reasons
but when you think about it...
:57:15
on the day that it happened
it was about fear wasn't it?
:57:19
While you consider this new
cultural order as the emancipation...
:57:23
of the artist it seems in my opinion
that this vision encourages...
:57:27
a techno-hegemony and
the exploitation of the artist...
:57:30
by capitalistic mega-structures
don't you think?
:57:32
l've asked you about your music
l've asked you about your family...
:57:35
l've asked you about your children
what you had for dinner...
:57:37
l've asked you what you do
when you go to a movie.
:57:40
Mr. Gould you've stated...
:57:43
that the concert hall is becoming...
:57:47
more and more
of an economic liability...
:57:50
but that you foresee this problem
rectifying itself by the year 2000.
:57:57
Why?
:58:03
Okay fine.
:58:06
Are you homosexual?
:58:12
Why didn't you answer my calls?
:58:16
Why did you stop calling me?
:58:23
You know l am deeply in love
with a certain beautiful girl.
:58:28
l asked her to marry me
but she turned me down...
:58:30
but l still love her more
than anything in the world...
:58:34
and every minute l can spend with her
is pure heaven.
:58:38
But l don't want to be a bore...
:58:40
and if l can only get her to tell me
when l could see her it would help.
:58:45
She has a standing invitation to let me
take her anywhere she'd like to go...
:58:48
anytime but it seems to me
she never has time for me.
:58:53
Please if you see her
ask her to let me know...
:58:56
when l can see her
and when l can--