:57:01
What makes you think that?
:57:03
Now she doesn't want to move in.
She wants a serious talk.
:57:06
- You know what that means.
- You should talk with her.
:57:09
No. That would be a disaster.
:57:11
I'd be the jerk crowding her,
whom she had to talk to seriously.
:57:15
But saying you have a work emergency?
:57:17
I do.
:57:19
- And you're too busy to see her.
- Have you ever heard of Maneuver X?
:57:23
When you get deeply into sales,
you realize that...
:57:25
...every major transaction involves
a mini identity crisis for the buyer.
:57:30
You think, ''A green carpet.
Am I really a green carpet person? ''
:57:34
In romance, the same thing applies
but on a humongous scale.
:57:38
But what is Maneuver X?
:57:39
It's removing all pressure.
:57:42
Creating a space that the customer
has to affirmatively cross.
:57:46
Only by disappearing more thoroughly
and inexplicably than Montserrat...
:57:49
...can I change the current dynamic.
:57:51
Will it? I don't know. I think it will.
:57:54
If not, I'm dead.
:57:58
You've thought this through.
That's impressive.
:58:02
I haven't thought through anything
about Marta.
:58:05
But isn't Maneuver X just another way
of playing hard to get?
:58:11
No.
:58:25
I'm being followed.
:58:26
- Give me a break.
- There is a guy following me.
:58:29
Come here, I'll show you.
:58:34
Not there. He'll see you. Over here.
:58:36
Edge your eyes around.
:58:39
He's on that pedestrian island,
a little further down.
:58:42
He's in the car?
:58:44
What car?
:58:46
No. He's gone.
:58:49
There really was a guy.
:58:51
Wherever I went, he went.
:58:53
- What did he look like?
- Sort of suspicious-looking.
:58:57
- What was he wearing?
- He was carrying something.