1:05:00
You think it makes me look fat,
it makes my ass look fat.
1:05:04
Did I say that?
1:05:06
- You think I've got a fat ass.
- You said that. I didn't.
1:05:09
So you do think
I've got a fat ass.
1:05:12
Give me a break.
1:05:14
You wouldn't have said that
once upon a time.
1:05:17
You liked my ass.
1:05:18
I still like your ass.
I'm crazy about your ass.
1:05:22
You don't love me anymore.
1:05:24
Wear what you fucking want.
1:05:26
Wear a fucking bathrobe,
for all I care.
1:05:37
The trouble is, publishing
isn't what it used to be.
1:05:40
It's the bottom line
that counts now...
1:05:42
proven track records,
advance sales.
1:05:45
No one's gonna invest
in a newcomer...
1:05:46
who hasn't proven himself.
1:05:47
So an unknown can't get
published unless he's known.
1:05:50
Sounds like a Catch-22 to me.
1:05:52
You could call it that.
1:05:54
And your Parisian settings
don't help any.
1:05:56
When are you
going to come back home...
1:05:57
back to the United States,
where it's at?
1:05:59
No, he wouldn't do that.
1:06:00
Oscar's a fixture here.
He's like the Eiffel Tower.
1:06:03
He's right, Beverly.
I love it here.
1:06:05
- I feel at home.
- Good for you.
1:06:08
Come on, get a life.
Paris is out. Vieux jeu.
1:06:11
It's a literary mausoleum.
1:06:12
Henry Miller
used it up fifty years ago.
1:06:15
God, I don't think France
hasn't been the same...
1:06:17
since they gave up absinthe.
1:06:21
It's all right.
I'll be fine. Thank you.
1:06:24
I'm fine. I'm fine.
1:06:28
You know what?
I should make you my agent.
1:06:32
That would solve
all my problems.
1:06:34
"Paris is out. Vieux jeu."
1:06:37
You really did me
some good tonight...
1:06:40
like I don't have enough trouble
getting published.
1:06:42
I couldn't bear to see you
crawl up her ass like that.
1:06:44
I'll crawl up the ass of anyone
I fucking well feel like.
1:06:47
Yours isn't the only one
in town.
1:06:48
Is that how you feel?
1:06:50
That's exactly how I feel.
1:06:52
In that case, I'd better go.
1:06:54
OK. You do that.