Bullets Over Broadway
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:05:05
Not at all.
:05:07
[ Applause ]
:05:10
I'm fed up!
I'm fed up, do you hear me?

:05:13
You can push your torpedoes around all
you want, but I've had it up to here!

:05:18
- What is it now?
- I am not sharing a dressing room.

:05:21
I am tired of getting
bumped into and stepped on.
None of these bimbos knows how to dance.

:05:25
- Bimbos!
- They're the best line in New York.

:05:28
- Bullshit! Bullshit!
- Oh, knock it off.

:05:30
- Hey, clam up over there.
Olive, come on.
- What?

:05:33
- Olive, it's our anniversary.
- It's not our anniversary.

:05:36
-You're getting senile.
-It's September 28. Six months to today.

:05:39
- So?
- I remember it like it was yesterday...

:05:41
'cause that's the morning
we broke Joey Benjamin's legs.

:05:43
- Six months? Six months!
- Yeah. Six months.

:05:46
- And I'm still stuck
in this crummy rat trap!
- Olive. I brought you somethin'.

:05:50
- What is it?
- Open it.

:05:52
- No, you open it.
Can't you see I'm dressing?
- I'll open it. Here. Hey.

:05:56
- What is it?
- Pearls! What the hell
do you think they are?

:05:59
- Pearls are white.
- These are black pearls.

:06:02
Don't give me that!
I never heard of black pearls.

:06:06
Just 'cause you never heard of somethin'
don't mean it don't exist.

:06:08
What do you think I am? Some kind
of chump? They're black, for God's sake.

:06:12
- They probably came
from defective oysters.
- The pearls ain't sick.

:06:17
Black pearls, they're supposed--
What? They're supposed to be black!

:06:21
- Oh, yeah, yeah, yeah.
- Don't be that way.
You know I'm nuts about you.

:06:24
If you're nuts about me, Nickie,
why don't you get me out
of this lousy chorus line?

:06:29
I came to New York to be an actress.
That's where my gifts are.

:06:32
You will, baby. You'll be a great
actress. A promise is a promise.

:06:36
- Yeah, l--
- Come on. Get yourself dressed.
I'm takin' you to Harlem.

:06:41
- The Cotton Club?
- Yeah, baby. [ Chuckles ]

:06:44
[ David ] I'm telling you,
they read my play, they love it.
But they're afraid of it.

:06:48
- [ Man ] It's irrelevant.
- It's not irrelevant!

:06:50
The point
I'm making is that...

:06:53
no truly great artist has ever
been appreciated in his lifetime.

:06:57
- Not one?
- No, no.

:06:59
- Flender.
- Take, uh, uh... Van Gogh
or Edgar Allen Poe.


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