Bullets Over Broadway
prev.
play.
mark.
next.

1:07:04
- Olive, I'm very tempted.
You're a gorgeous girl.
- you were so, so sexy.

1:07:08
- I mustn't be seen with you.
- What the hell is this?
A corset? Get it off.

1:07:11
- Don't!
- What, what, what?
What are you so nervous about?

1:07:13
- I can't be seen with you.
He threatened to kill me.
- Who threatened to kill you?

1:07:18
- Cheech.
- Cheech threatened to kill you?

1:07:21
Well, how do ya like that?
He finally got wise.

1:07:24
You know what? I wouldn't let it
worry you if I were you.

1:07:28
You're not the type to let some
strong-arm gorilla push you around.

1:07:31
Olive, essentially, I'm an actor. I take
on certain roles that require of me--

1:07:35
You weren't just an actor
when you were taking my underwear off.
You were a big shot.

1:07:39
You were sayin' to me,
"Olive, I have big plans for you.
I want you to star with me.

1:07:43
- Stop it. Listen, Olive--
- I make my own rules.

1:07:46
All this is true,
but we must be realistic.

1:07:48
- Realistic?
- God, I'm starving!
Do you have a sticky bun or--

1:07:53
[ Knock At Door ]
Open up. It's me, Nick.

1:07:56
Nick?
Nick Valenti?

1:07:58
- I'm dressing.
- Ah, c'mon. I ain't gonna see
noplace I ain't been before.

1:08:03
- [ Knocking ]
- I'm coming, I'm coming.
Hold your water.

1:08:08
- Hi, baby.
- Ah, there you are.

1:08:11
- You were swell in
the show tonight, Olive.
- Well, thank you.

1:08:14
- I thought so. Wasn't she, boys?
- Oh, yeah.

1:08:16
- What a thrill.
- Come on. Get yourself dressed.

1:08:18
- We got time to grab a drink
before I drive back to New York.
- Well, I don't know.

1:08:22
- Not tonight, Nickie.
I'm a little bit tired.
- Come on, come on.

1:08:25
You been puttin' me off
for weeks now.

1:08:27
- I'm a little bit tired.
- Since when you too tired
to shovel in a little booze?

1:08:31
What a marvelous audience. I thought
the show went quite well, don't you?

1:08:34
Oh, excuse me, Mr. Valenti.
Darling, could you give me that
cue a little quicker in Act ll?

1:08:39
You know the one where your character
is quoting Hamlet?

1:08:42
Oh, well, you know, it's hard,
'cause I always forget the second part.

1:08:45
Yes, I know.
It's "or not to be." Okay?

1:08:49
Because I can't come in until you
finish your line, and I go "ooh."

1:08:52
- To be--
- Or not to be.

1:08:56
That's the way it goes. You're tired.
You're not taking it in.

1:08:59
[ Laughing ] And did you notice the
way the audience applauded your exit?


prev.
next.