1:34:02
- I have to--
I have to ask you a question.
- What?
1:34:05
Did you love me as the artist
or as the man?
1:34:08
- Both.
- Well, what if it turned out
that I wasn't really an artist?
1:34:12
I could love a man if
he's not a real artist...
1:34:15
but I couldn't love an artist
if he's not a real man.
1:34:18
Th-This is all academic.
She's with me now. You're with me now.
1:34:21
- Do you really want to be with Flender?
- Yes.
1:34:24
- Hey! Flender is a great lover.
- Ohh.
1:34:27
- Hey, I slept with Flender.
He was just okay.
- [ Ellen ] Really?
1:34:31
[ Flender ] Rita, please!
What are you talking about?
1:34:34
That was years ago, during
your free-love period.
1:34:36
[ Ellen ] I feel it's relational.
For me, he's great.
1:34:39
Huh, interesting. Are you talking
pure mechanics or what?
1:34:42
- His technique is prodigious.
- [ Flender ] Prodigious?
1:34:45
- You're confusing sex and love.
- No, for me, love is very deep.
1:34:49
Sex only has to go
a few inches.
1:34:51
Y-You're all missing the point.
The point is, I can give
pleasure many times a day.
1:34:56
Oh, now really, Flender.
What has quantity got to do with it?
1:34:59
- Quantity affects quality.
- [ David ] Says who?
1:35:02
- Karl Marx.
- [ Rita ] Oh, so now
we're talking economics.
1:35:05
- Sex is economics.
- Bullshit. Ellen, come down here.
I wanna talk to you.
1:35:09
I love you. I wanna see you.
Come down here.
1:35:12
- All right.
- What do you mean "All right"?
What about me?
1:35:15
You're great, Flender, but it's no use.
I'll never get over David.
1:35:18
Couldn't you tell? Each time
I climaxed, I'd scream, "David! David!"
1:35:22
I thought you were saying,
"Do it! Do it!"
1:35:24
Flender, stop it.
Leave 'em alone.
1:35:27
Can't you see
they love each other?
1:35:34
I'm finished with it:
living in the garrets...
1:35:37
eating cheese and drinking wine
and analyzing art in coffee houses.
1:35:41
It's over.
I love you.
1:35:44
- I want us to get married.
We'll go back to Pittsburgh.
- But you're a success.
1:35:47
- You have a hit. Why the sudden change?
- We'll have kids.
1:35:50
- Because I've wasted too much
time already. I love you.
- But you're an artist.
1:35:53
No, I'm not.
I'm not.
1:35:55
I'll explain it all to you on
the train back to Pittsburgh.
1:35:58
There's two things of which I'm certain.
One is that I love you.