:01:01
And he you.
:01:15
I don't think so. No.
:01:16
Then he was a fool!
:01:22
I like you better drunk.
:01:25
- It's good to talk about him.
- Yeah.
:01:28
But is this why
you came all this way?
:01:31
No, not only.
:01:34
You said there was
some untinished business.
:01:37
There is.
:01:39
But how can I help you, Anton?
:01:46
Perhaps it's nothing.
:01:48
And perhaps it's the key to him.
:01:55
Perhaps they're right
and I should let it go, but I cannot.
:01:59
- It's impossible for me.
- But why?
:02:05
It was that damned sonata...
:02:10
the "Kreutzer."
:02:13
At the time I entertained
ambitions of a musical career.
:02:17
I'd gone to Vienna to study
and was fortunate enough...
:02:20
to be taken by Schuppanzigh
as a pupil.
:02:22
He and George Bridgetower,
the famous virtuoso from Africa...
:02:25
were about to premiere
this new Beethoven sonata...
:02:28
at Count Razumovsky's that evening...
:02:31
and I was allowed
to attend the rehearsal.
:02:36
It was there that the seed
of a mystery was planted...
:02:40
that haunts me to this day.
:02:53
Do you like it?
:02:56
I cannot hear them.
:02:59
But I know they are
making a hash of it.