:17:03
Oh, well, you'd know, of course!
:17:07
I just think
that's what you'd have to do.
:17:10
You'd have to be imagining
other things.
:17:13
Please don't tell us
what the working class think,
:17:16
thanks very much.
:17:32
I think what the Bishop's
really hoping for
:17:35
is that we can come to a compromise,
:17:37
find some other examples
of your work.
:17:40
The great thing is no... Your chair.
:17:42
- No one wants to see you excluded.
- Now, that is a comfort.
:17:47
I hadn't realised the Church's
interest in contemporary painting.
:17:50
It's just The Crucified Venus
we're uncomfortable with.
:17:56
- Pooh?
- It's me.
:17:58
Come in.
:18:02
Poor old Piglet.
Pru gave you a bit of a working over.
:18:06
I'll survive.
Did you get anywhere with Mr Lindsay?
:18:10
He insists it's up to the public
to decide for themselves
:18:13
if they want to see his pictures.
:18:15
Of course, they have to see them
first to decide,
:18:18
by which time
the damage has been done,
:18:20
but that is a bit of logic
which is lost upon him. Never mind.
:18:24
I'll have another shot
in the morning before we go.
:18:27
Do you think the pictures
actually damage people?
:18:31
I think that the sexual ones
are just rather childish
:18:35
but I do think
negative images build up
:18:38
and don't any good in the long run
:18:39
and I think The Crucified Venus
is offensive and downright arrogant.
:18:44
- I'm coming, I'm coming!
:18:47
- Hurry up, stupid!
- I'm running as fast as I can,
:18:49
you disgusting thing!
:18:51
My guess is they're tooth fairies.
:18:55
- Shall we?
- Come on, then.