1:24:08
[ GIass cIinks ]
1:24:11
The motorcar. . .
the chocoIates.
1:24:15
[ ChuckIing ] Oh, that.
1:24:18
Those rats at Faber's
wanted you aII to themseIves.
1:24:22
There was no room for me.
1:24:24
I'm so angry
at being Iocked up.
1:24:27
You see, you have to remember
what a success you are --
1:24:32
a famous poet, director
of a Ieading pubIisher's.
1:24:35
I wouId Iike some recognition
for that.
1:24:40
After aII, the poems come out
of our Iives, Tom.
1:24:43
I'd Iike to share
just an inch of that success.
1:24:53
But why chocoIate?
1:24:56
Because you Iove it,
1:24:59
aIthough not quite
in that form, I grant you.
1:25:01
And the car?
1:25:03
You reaIIy
couId have kiIIed us.
1:25:06
- How are Maurice's teeth?
- Fine.
1:25:08
- Was the car fixed?
- Yes.
1:25:11
And you and I are stiII upright,
so. . . [ I nhaIes deepIy ]
1:25:13
Look, I feIt a rush of bIood
to the head.
1:25:18
I was sitting, Iistening
to a string of triviaI chatter.
1:25:21
You were vexed
by the conversation?
1:25:23
You were Ieaving me
for a year,
1:25:25
and you didn't have
the courage to teII me.
1:25:28
Maurice was asking us
questions about ourseIves,
1:25:30
and I heard us teIIing him
masses of Iies over and over.
1:25:33
You see --
[ I nhaIes deepIy ]
1:25:35
[ ExhaIing ] Oh.
1:25:36
You see, that -- that's. . .
why I married you, Tom --
1:25:40
to escape from aII that.
1:25:43
But you. . .
1:25:45
WeII, Tom, you aIways wanted
to be the perfect EngIishman.
1:25:57
AII these years, Vivie. . .
1:25:59
right from the start.