:52:00
Just, you know, ...
:52:02
I'm doing Shylock instead of
a shylock. What's my motivation?
:52:08
The acquisition of money,
to collect, to inflict pain if I must.
:52:12
Guy splits with my money, I go
after him, what d'you think I'd do?
:52:17
- Look at me.
- I am looking at you.
:52:19
Look at me the way I'm looking at you.
Put it in your eyes.
:52:23
"You're mine, asshole," without saying it.
:52:26
OK, how 'bout this?
:52:32
Are you telling me you're sleepy,
you want to go to bed?
:52:35
All right, OK...
:52:46
Now you're squinting
like you need glasses.
:52:50
What do you...?
:52:51
- Look at me.
- What?
:52:53
What I'm thinking is
"You're mine. I fucking own you.'+
:52:57
But I'm not feeling
one way or another about it.
:53:00
You're not a person to me, you're
an entry in a book, a guy who owes me.
:53:06
All right, how about this?
:53:12
Woh, oh, wow, not bad!
:53:15
Not bad.
No wonder you're Martin Weir.
:53:19
That's what I think of you, asshole.
Nothing.
:53:24
I believe it.
:53:26
So, I turn this on
when I confront the guy?
:53:28
You haven't found him yet,
he's split for Las Vegas.
:53:31
- How do I know that?
- Because his wife told you.
:53:35
His wife told me. OK.
:53:44
Harry, how you doing?
:53:47
Great.
:53:49
I'm expecting some people.
:53:52
You must be doing some big deals
doing lunch in a place like this.
:53:55
I'm working on a few things.
:53:57
I hear you bagged Martin Weir
for Mr Lovejoy.
:53:59
Word gets around, huh?